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All artists have experienced the unpredictability of the creative process. After endless trials and tribulations, a sudden mistake opens the entire novel scene.
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Part of Anderson Rangel’s recent work has been contemplating the natural beauty of the Outer Banks, South Carolina. They are only shipping, constantly changing and reforming, but for thousands of years they have held their own against the cruel sea. The light is soft, bright, and otherworldly – illuminating the unity of land and sea. The strange setting is then broken: another image, a group of high-rise holidaymakers in Chavani, only partially captured fighting for survival against the rising sea, covers its base. Attention turned to the disaster that was happening in the sky.
Cara De Pera Fotografías E Imágenes De Alta Resolución
Martin Amuros painted without a brush. A happy event may have shown him how to inject and “print” paint and create scenes that resemble incredible paintings. But they go beyond photography because the artist aims to explore and create models of natural space. The element of horizontal, vertical, elliptical and gradation of light is a dialogue between nature and culture in the interaction of geometric shapes versus organic patterns.
Pablo Gimenez Zapiola is best known for his projections of text, patterns, or videos on the edges of silo buildings or trees. Among his lesser-known artistic practices is the basic body of photographic work, which usually takes the form of a series. Two of them, “Indoor Environment” and “Night Tree” are shown here. During night walks, she observes nature in its nocturnal presentation, revealing secrets hidden from daytime observers. As Pablo tells it, on one of these trips, he shined a flashlight into some trees and was amazed at what he saw. By isolating the described parts of nature and focusing on them, a new perspective opens: the “Night Tree” series.
Eric Forstmann has been called a “realist”. He brings the genre to life with his vibrant and detailed illustrations of landscapes and many other subjects. Working almost entirely from life, he was always interested in the fundamentals of real art. His works are in major museums and private collections. Variant is a collaboration between Rudolf Bloom Fine Art/Artscan and Eckert Fine Art, located in Kent, CT, featuring modern works by Forstmann.
Forstmann was born in Warren, CT and studied at the Boston Museum of Fine Arts. He has exhibited five men at the following institutions: the Butler Institute of American Art, the Kemper Museum of Contemporary Art, the Mattock Museum, the Evansville Museum of Art, and the Brno Gallery at the University of Bernau. His work has also been exhibited at the Norman Rockwell Museum and the Arts-Naples Baker Museum.
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His work has been featured in Architectural Digest, American Art Collector, and in 2017 Litchfield Magazine named him one of the “25 Most Influential People” in Litchfield County, Connecticut.
Eric Forstmann’s Art Mattatuck Museum, Kemper Museum, Taubman Centers, Kevin Bacon and Kyra Sedgwick, Meryl Streep and Don Gummer, Robert Rauschenberg Foundation, Warren Beatty, Annette Bening, Dr. and mrs. Sam Weber, Karen Clinch and Suzanne McFayden Smith.
Here are four Houston sculptors who specialize in using some form of carving in their process. Antarctica Black, Paul Carola, Michael Kirby, and Margaret Smithers-Crump took their material and transformed it using sculptural techniques. The Sculpture Month Houston exhibit will run from November 9 to December 14, 2019.
Black Antarctica continues to penetrate the inexhaustible science between the electric pulses of his brain. Explore his past to discover what makes his existence unique. In a way almost like a map, he processed the chaos and filtered it into his cross section. Black paper is used because of its simple structure and the ease with which she is able to organize it. Paper is a pure substance. Clean stone to engage and develop ideas and energy. Black was recently diagnosed with the disease after being surrounded by machines capable of interpreting patterns and mental disorders. Going through many experiences, Blake longs to remember his past. “How did I get here?” What makes me?
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The lines and curves in Paul Carola’s work are often inspired by the interaction between the characters and the different forms of clothing. It is from the combination of these two elements that a unique structural scheme is observed and new objects are present and extracted. While newly discovered forms can tell the source of the field, the results are often ambiguous and open to interpretation.
Michael Sean Kirby’s work for White Wide Space is different from his previous work as a sculptor, and he is excited to go in this new direction. The innovative elements with this work are color and space. For Kirby, creating a job is like watching a cloud move through time. “I’m enjoying the comedy experience that this job provides and hope others will.”
Margaret Smithers-Crump explores a holistic approach to the health of our planet and human impacts, both negative and positive, on the interrelationships and interactions of various life forms and ecosystems. She uses Plexiglas to process the colors and found materials to create these works of art. The use of clear acrylic materials provides a diverse application for his execution and solidity of ideas that articulate his primary concerns regarding fragile ecosystems. The glass-like appearance of this material conveys fragility and highlights the ambiguous existence of all life.
Michael Sean Kirby, Ringfield, 2019, hand-painted acrylic urethane self-paint on concrete, 30 x 33 x 5 inches
Cactus Face Fotografías E Imágenes De Alta Resolución
Margaret Smithers-Crump, Air Roots, 2018, acrylic on Plexiglas, anthracite, wood, 100 x 27 x 11 inches
Investigate the health of our planet and the holistic ways human impacts, both negative and positive, on the damages and interrelationships of diverse life forms and ecosystems. Throughout the exhibition, the artworks show the conflict between the freedom of natural processes and compliance with physical or chemical means. Some sculptures are actually caught in a monofilament mesh or attached to wire, while others show changes due to chemical imbalances, such as changes in carbon in air or water. Particular emphasis is placed on biological systems that are large, complex, and fragile.
The 9-foot-tall wall sculptures show signs of biological interaction, such as a plant’s root system interacting with a fungus. Reef and coral bleaching,
Hanging by a red string to the basalt shows a plant-like structure, while other parts of these structures appear to be separate and free-floating, at least oscillating with air currents.
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Smithers-Crump uses Plexiglas to process paint and mixed materials to create these works of art. The use of clear acrylic materials provides a diverse application for his execution and solidity of ideas that articulate his primary concerns regarding fragile ecosystems. The glass-like appearance of this material conveys fragility and highlights the ambiguous existence of all life.
Margaret Smithers-Crump is a Canadian artist based in Houston, Texas, with a BFA in Painting from the University of Miami, Oxford, Ohio. Smithers-Crump has been featured in solo exhibitions across the United States, including her most recent solo exhibition at the Grace Museum, Abilene, TX. Pearl Fincher MFA, Houston, TX; Bevel Museum of Art, TX, Galveston Center for the Arts, TX; Imperial Center for the Arts, Rocky Mount, NC; Penn College of Technology – Penn State, PA and Lawndale Art Center, Houston, TX. In the fall of 2019, she will be part of a group exhibition that will be organized for Sculpture Month Houston and will be exhibited at Cellos. In the spring of 2021, he has an upcoming solo exhibition at the Southeast Texas Art Museum.
Rudolph Bloom Fine Art / Art Skin Gallery is proud to present a solo exhibition in the South and Central Gallery featuring the work of Jill Bedgood. The exhibit, titled “Counts of Light,” will feature a water slide show that focuses on preserving the past, a memory you can save. Bad God discovers what memory can be; The book contains historical stories or memories. The Bad Good book can be experienced as a strong representation of a particular time in a person’s life.
Michael Henderson’s solo exhibition at the Rudolph Bloom Fine Art/Artscan Gallery will be set up inside the North and Back Gallery. “Passage” includes works from different periods in Henderson’s life: video, drawing and painting. Exploring time and loops in time, Henderson presents his work with a bit of humor when presenting his “Tunnel” series. These tunnel paintings were inspired by the King Kong movies and eventually became featured as cartoons. The tunnel is used as a powerful symbol of passage from one world to another, or as a symbol of our own entrance into darkness. Henderson uses these rounded shapes to explore space and color. Henderson’s video, too.
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