Average Speed Of An Arrow – It’s always a bit of a challenge photographing a sport you don’t know very well because it’s harder to predict what’s going to happen and you don’t know what good photography is either. This was the case for me with archery.
Under these circumstances, I do as much research as I can beforehand to know what to expect. This means going online and seeing what other people have written about photographing that particular sport, and also asking to see pictures that other photographers have taken.
Average Speed Of An Arrow
I was very lucky because a friend of mine knows one of the coaches at the archery club nearby. He invited me to an indoor workout and kindly explained what was going on. Then I went back to another outdoor training session and worked with just one shooter. This is one of the few times I have “posed” the athlete and worked with them to achieve a specific image.
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While photographing archery was unlike any other sport, I encountered many of the same challenges during my indoor forays as I did with basketball (see How to Photograph Basketball). there is usually clutter in the background (eg kit bags, health and safety notices etc) which can spoil the photos.
Archery is a fundamentally individual and repetitive – and almost meditative – sport. However, the first question for the photographer is the safety aspect. Arrow speed in flight depends on many factors, including bow draw weight, draw length, bow material, and arrow weight. Repetitive arrows typically travel up to 225 feet per second (fps) or 150 mph, while compound arrows can travel up to 300 fps (200 mph).
This means that safety is paramount and they have shown me where I can and cannot. In short, there is a red line across the hall and you must stay behind the line while the shooters are firing. Safety is so important that if I had wandered across the firing line, it’s likely that the shooters would have sensed it—even in their unconscious, peripheral vision—and ruined their concentration.
I think I managed to get ahead of him by a few inches – for the sake of my art – but common sense, self-preservation and consideration for the shooters made it not a rule to break.
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This is a huge limitation from a photography point of view, as you can only take pictures from the back or side. above). This is not possible when shooting from the side, and the image is more of a portrait of the shooter (see below).
For my indoor shots I used a wide angle lens (24-70mm f/2.8) and a telephoto lens (70-200mm f/2.8) to allow for variety and different angles. With a manual camera, I used a wide aperture (e.g. f/2.8) when I wanted a shallow depth of field to draw attention to a specific aspect of the image; and something closer to f/11 where I wanted more shooters in focus.
Since I wasn’t shooting fast motion, I was able to use a slow shutter speed – for example 1/125 sec, even 1/60 sec. I set the ISO to Auto, within the parameters, and you can see from the image metadata on this blog that the ISO rises quickly when not using open apertures. You can also see how many times I changed the setting while experimenting to find something new.
Archery is “slow” and much of the “action” actually takes place in the shooter’s mind as they imagine what is going to happen. In this background, I mostly shot the poses in full drag, as this was the most visually dramatic element of the process, and I didn’t have to use burst mode like I usually do with sports. In the picture above, all the faces are facing away from me, so the eye is more towards the bows, so the picture is more about the gear.
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In addition to trying to convey the general atmosphere of training, I wanted to capture emotional moments – the essence of all sports – and not just “complete” images. they often went slack after the arrows were shot – see the archer’s expression on the right below.
Another good time to take pictures was when the archers came down to the target to remove the arrows from the targets. That’s when they talked to each other – more casually, when they were concentrating on filming.
The next outdoor session was a completely different experience. Firstly, it was a gloriously sunny evening with beautiful light – very different from the gym! bent when leaving the bow (illustrating the phenomenon of the “shooter’s paradox”), I used Hi Burst continuous mode (20 frames per second on a Sony A9II).
While working with John the shooter one-on-one, I had a little more leeway to try something more creative. It also meant that it was easier to know when to shoot the arrow. The fast shutter speed shown in the image above was used to compensate for the wide open aperture, which I used to create a shallow depth of field.
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I tried a number of photos that would have been difficult in an indoor session. I always like to shoot from a low perspective because it makes the person more impressive and “heroic”. I was able to lie outdoors on the ground and watch John in his pre-shoot meditative state as he went through the sequence of shots in his head (see below), conveying an essential element of the whole process.
After several attempts, I managed to take a couple of pictures of the arrow in flight (see below). (if you wait until you see it, you’ve already missed it). Note that the shutter speed was set to 1/32,000th of a second, and even though I was shooting at 20fps, you were still lucky to get the arrow in the right place in the image. speed at which it was moving.
If you enjoyed this blog or have any questions/comments, please leave a message in the comment section below. If you have questions, consult the appropriate style manual or other resources.
Since prehistoric times, the bow has been the main weapon of war and hunting all over the world except Australia. In addition to the military, recreational archery was also practiced by the ancient Egyptians and Greeks, an example of the latter being the competition in which Odysseus won the hand of Penelope. The Huns, Seljuk Turks, Mongols, and other nomadic horse archers ruled most of Asia from the 1st century AD for about 15 centuries. English longbowmen won famous military victories in the Hundred Years’ War (1337–1453), while the crossbow became widespread in continental Europe, especially in Switzerland, parts of Germany, France and the Low Countries. In Europe in the 16th century, the bow and arrow were replaced by firearms as weapons of war. By the time the Spanish Armada attempted to invade England in 1588, the levy of the English county army consisted of one-third archers and two-thirds artillery, and by the end of the century the bow as a weapon had been almost abandoned.
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The bow was retained as a hunting weapon, and archery continued to be practiced as a sport in England by both royalty and the general public. The earliest English archery societies date from the 16th and 17th centuries. The Prince of Wales, then IV. George became a patron of the Toxophil Society in 1787 and set the prince’s lengths at 100 yards (91 metres), 80 yards (73 metres) and 60 yards (55 metres); these ranges are still used in the York round of the British Men’s Championship (six dozen, four dozen and twenty darts are fired at each of the three ranges). These recreational activities with bows evolved into modern archery. In 1844 York hosted the first Grand National Archery Meeting – the British Championships – and the Grand National Archery Society became the governing body of the sport in the UK. International rules were standardized in 1931 when the Fédération Internationale de Tier a l’Arc (FITA; International Marksmanship Federation) was founded in Paris.
America’s first archery organization was
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